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AIC Color 01 Rochester
Rochester Riverside Convention Center 123 East Main Street, Rochester, NY, USA June 24-29, 2001 |
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back to the AIC Color 01 homepage
* Indicates Invited Speaker
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Monday, June 25 8:30 am - 10:30 am |
Opening Session and Special Lecture |
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Color Appearance |
Moroney, Background and the perception of lightness Juan, Luo,Magnitude Estimation for Scaling Saturation Li, Luo, A Uniform Colour Space Based upon CIECAM97s |
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What is Color? |
Roberson, Color Categories are not universal: New evidence from Traditional and Western cultures Tillberg, The Russian Avant-Garde and Colour as Worldview Maund, A Pluralistic Framework for Thinking about Colour |
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Vision |
Ishida, Assessment of color search performance in photopic and mesopic illuminances based on color identification data Okajima et al., Age-Related Changes in Color Appearance Depend on Unique-Hue Components Shaw & Fairchild, Evaluating the 1931 CIE Color Matching Functions Shinoda, Ikeda, Transition between color contrast and assimilation by perceived size manipulation Vienot, Rating of tinted ophthalmic lenses Yamauchi, Williams, Brainard et al, What determines
the unique yellow, L/M cone ratio or visual experience? |
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Monday, June 25 |
The Why's and How's of Color Management: A Tutorial Coordinator: Rob Buckley, Xerox Why Color Management? *James C. King Principal Scientist, Adobe Systems Incorporated |
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Art & Design |
Menu, Colinart, Elias, Colour studies in Encaustic Fayum Portraits Lazaro, Renaissance:The color between the ideals of Beauty and reasons of Freedom Carrabot, Lewis, A Method of Simulating Paint Mixing on Computer Monitors Albert-Vanel, Optical Fusions and Proportional Syntheses Melita, Applications of the Three Color Zone System: A cinematographers tool to understand color Charnay, Colour, light and altruistic creation |
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Vision |
Ayama et al, Whiteness Perception in Japanese and Finnish under Cool and Warm Fluorescent Lamps DaPos, Sponga, Fluorescence thresholds for some reddish colours Nakano et al, A Uniform Color Space Based on Color Vision Mechanisms Ripamonti, Westland, Perceptual Transparency Sagawa, Visual Comfort Evaluated by Opponent Colors Guth, ATD01 Model for Color Appearances and Differences Aoki, Shinoda, Ikeda, Floating phenomenon and Mode of Color Appearance |
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Symposium |
What is Color? |
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Symposium |
Imaging Techniques of Spectral Estimation (Spectral Imaging) Moderator: Roy Berns MCSL, Rochester Institute of Technology, Rochester, NY Welcome and Overview *Roy Berns, Rochester Institute of Technology Optimization of total multispectral imaging systems: Best spectral match versus least observer metamerism Bernard Hill, Aachen University of Technology Gonio-Photometric Imaging for Recording of Reflectance Spectra of Three Dimensional Object *Yoichi MIYAKE, H. HANEISHI, Norimichi TSUMURA, and Junichiro HAYASHI1 Chiba University, Japan; 1Mitsubishi Electronic Microcomputer Application Software Spectral estimation from laser scanner data for accurate color rendering of objects Réjean Baribeau, National Research Council Canada A New Procedure for Capturing Spectral Images of Human Portraiture Qun Sun, Mark Fairchild, Rochester Institute of Technology Representation of Spectral Images in Data Communications Markku Hauta-Kasari, Juha Lehtonen, Jussi Parkkinen, and Timo Jaaskelainen, University of Joensuu FINLAND Spectral estimation of artists oil paints using multi-filter trichromatic imaging Francisco Imai, Roy Berns, MCSL, Rochester Institute of Technology Wrap-up,Roy Berns |
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Symposium |
The Artist and Digital Media Moderator Wade Thompson Assistant Head, Art and Design, Southwest Missouri State University Visualizing the Cosmos: A Virtual Tour at the Hayden Planetarium *Donna Cox, Beckman Institute, University of Illinois Painting by Numbers *Liz Lee, State University of New York at Fredonia The Paperless or Vanishing Society? *Joy Luke, Studio 321 |
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Architecture |
Billger, Colour Appearance in Virtual Reality: A Comparison Between a Full-Scale Room and a Virtual Reality Simulation Toda, Ishida, How does our visual system interpret the color of light filled in a three-dimensional space? Oberascher, "LUMINOS 3" A New Tool to Explore Colour and Light in 3-D |
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Architecture |
Metcalfe, Gender, Color and the Domestic Sphere Servantie, Color: Architectural Dimension Schindler, Color in Present Culture of European Architecture Ural, An Analysis on Architectural Coloring Process Cler, Cler, CHROMATICTOWNSCAPE and Colour Words Minah, Color Constellations in the Seattle Cityscape |
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Color Appearance |
Mizokami, Shinoda, Ikeda, Degree of color constancy yielded in a photograph perceived as 3D space Yamauchi, Ikeda, Shinoda, Demonstration of the Light Source Color on a Photograph |
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Symposium |
The State of the Art and Future of Color Management Moderator: Rob Buckley Xerox The Evolution of the ICC Profile Connection Space *George Pawle (Eastman Kodak) and Lars Borg (Adobe Systems) Quality Evaluation of current ICC profile-Generation-Tools for CMYK-output *Eggert Jung (NexPress); Hendrik Büring (ITE), Patrick G. Herzog (ITE) CMS for Digital Photography,A Case Study Bob Chung, Darunee Sa-areddee, Rochester Institute of Technology Image-dependent Color Mapping for Pleasant Image Renditions Hiroaki Kotera, Mitsunori Suzuki, Takeshi Mita, and Ryoichi Saito, Chiba University, Japan Image State Architecture Geoffrey J. Woolfe, Kevin E. Spaulding, Eastman Kodak, Rochester, NY Trends in Color Imaging on the Internet Giordano Beretta (Hewlett Packard), Rob Buckley (Xerox) |
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Color Difference |
Hong & Luo, Perceptually based colour difference for complex images Klassen, Colour Difference Metrics and Surround Effects: Zhu, Cui, Luo, New Experimental Data for Investigating Uniform Colour Spaces Xin, Comparative Study of Visual Colour Differences Using Reflective and Self-luminous Colour Stimuli |
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Color Difference |
Cui, Luo, Rigg, Investigation of the Crispening Effect; on Lightness Differences Berns, Derivation of a hue-angle dependent, hue-difference weighting function for CIEDE2000 Kuehni,Uniform color space is not homogeneous Gay, Hirschler, Determination of Industrial Colour Tolerance Limits - Case Studies in the Textile Industry |
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Symposium |
What is Color For Organized by ISCC Interest Group III, Art, Design and Psychology Co-moderators: Georgia Kalivas, Meg Miele Fashion Institute of Technology, NY The Aesthetics and Commercial Value of Color *Margaret Walch, Associate Director of the Color Association of the United States (CAUS) Color in Home Furnishings *Catherine Stein, President of The Color Council for the Home Furnishings Industries Color as a Language in Architecture *Grete Smedal, Centre for Form and Colour in the Art and Design School, Bergen, Norway Color and the Worldwide Web, *Ray Kinlock, Surface Design Department,Fashion Institute of Technology, New York |
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Industrial Color |
Hutchings et al., Food Colour and Appearance Measurement, Specification and Communication, can we do better? Simon, The Process Industries- Graphic Arts, Paint, Plastics and Textiles: All Cousins under the Skin |
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General Assembly |
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Color Physics |
Hernandez-Andres, Romero, Nieves, Daylight Spectral Power Distribution Recovery Through a Linear Model and Few Filters Callet, Seve, From mean diffuse external reflectance to color and visual appearance representation Liu, The Iridescence Color of Shells |
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Art & Design |
MacDonald, Effective Colour Design for Displays Guan, A Study of color harmony relating with area ratio McGinley, The Development of a Large Colour Range for a Paint Company |
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Industrial Color |
Kettler, Complex refractive index and colour of quinacridone pigments MacDougall, Discontinuity, bubbles and translucence: major factors in food colour measurement Chong, The Role of Digital Printing and Color Technology in the Digital Revolution for the Textile World Simeonova et al., Colored Light Application in Retail Display Xu, Luo, Evaluating the Quality of Daylight Simulators Using Metameric Samples Viggiano, A Perception-referenced Method for Comparison of Radiance Ratio Spectra and its Application as an Index of Metamerism |
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Symposium |
Color Issues for Digital Archives Moderator: Franziska Frey, Image Permanence Institute, Rochester Institute of Technology Introduction *Franziska Frey, Rochester Institute of Technology Accurate colour images: from expensive luxury to essential resource *David Saunders, Scientific Department, The National Gallery, London, U.K. Color Strategies for Image Databases *Sabine Susstrunk, Audiovisual Communications Laboratory, Swiss Federal Institute of Technology (EPFL), Lausanne, Switzerland Digital Slide Reproduction using Densitometry Peter R. Fornaro, *Rudolf Gschwind1 and Pip Laurenson2 1) University of Basel, Scientific Photography Lab 2) Tate Gallery London Spaces of probability distributions and their applications to color based image database search Linh Tran, Reiner Lenz, Linkoping University, Sweden |
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ECD / Architecture |
Herneoja, Colors of Home Basoglu, Color Scheme Preferences of Elementary School Children in their School Environments Smith, RED or READ? — Built Environment Coloured Inagaki, A Study on Evaluation of Exterior Colors of Buildings with Effects of Colors of Foreground Buildings Rizzo, Works on color design installed in a urban environment Avila, The colour and urban image at the beginning of 21st century |
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Color Measurement |
Eppeldauer, A Reference Tristimulus Colorimeter Miyazawa, Toyooka, Kurashiki, Hauta-Kasari, Broad-band color filters with arbitrary spectral transmittance using a Liquid Crystal Tunable Filter (LCTF). Nadal, Standardization of Reflectance Colorimetry |
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Teaching Aids |
Tarrant, Visual Color Matching Equipment for Teaching and Research Gaudio, De Ponti, Interactive Multimedia Systems as comunication chanels in color workshops Sobotka, CBT – a new approach for designing color teaching aids for the media industry |
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Symposium |
How is CIE Helping Us Make Color Work Moderator: Michael Pointer, National Physical Laboratory, Teddington,, UK CIE: Vision, Colour and Imaging *Michael R Pointer, National Physical Laboratory, Teddington,, UK Status of CIE Color Appearance Models *Mark D. Fairchild, Munsell Color Science Laboratory, Rochester, NY The CIE 2000 Colour Difference Formula: CIEDE2000 *M. Ronnier Luo, Colour & Imaging Institute, University of Derby, U.K. Making Color Work in Image Technology *Todd Newman, Director, CIE Division 8, Canon R&D Center Americas, Inc Report on a fundamental chromaticity diagram with physiologically significant axes *Francoise Vienot, chair of CIE TC 1-36 Discussion and Wrap-up, Michael Pointer |
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Symposium |
Environmental Color Design Moderators: José Caivano, Buenos Aires University, Argentina Leonhard Oberascher, ÖKO-PSY, Austria Report of activities of the ECD study group Caivano, Leonhard Oberascher Colour appearance in rooms lit by daylight: observations of hue shifts in sunlight and skylight Maud Hårleman, Royal Institute of Technology, Stockholm Colour contrasts in advertising John Hutchings Climate and coloured walls, in search of visual comfort Malvina Arrarte-Grau, Universidad Ricardo Palma, Lima-Perú What colour is the red house? Perceived colours of painted facades Karin Fridell Anter, Royal Institute of Technology, Stockholm Transformation of "paint" to "color" in urban space: Bursa example Susan Habib, Nihal Cetinturk, Gazi University, Ankara, Turkiye Black -meaning and connotation in Europe and Africa Fatumata Oberascher, Leonhard Oberascher |
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Color Education |
Linton, Expanding Color Design Methods For Architecture And Allied Disciplines Unver, Color Education in Architecture Kwon, Kim, A Study of Web-based Color Education Colla, Rainbow Solfege: A New Perspective for Color Theory and Music Education Appell, Colorimetry as a General Model of Observations in the Resolution of Quantum Paradoxes Smith, The Colour Studio in Crisis – Managing Change Estevez, How do we teach color? |
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Color Measurement |
White, Taylor, The Effect Of Instrument Design On Diffuse Reflectance Measurements Sakatani, Itoh, The effect of gloss on perceived lightness Baba, Suzuki, Study on Geometric Conditions for Reflection Measurement (2).- The Effects of Light Trap Size of Integrating Sphere Hirschler, Gay, Industrial Colour Measurement - the State of the Art Witt, Colorimetric control of photographic prints: the problem of fluorescence Schanda et al., LED Colorimetry |
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Symposium |
How Should We Teach Color? Coordinators: Geoffrey Rogers, Fashion Institute of Technology, NY Chair, ISCC Education Committee Manuel Melgosa, University of Granada, Spain Moderator: Geoffrey Rogers Creative Colour education *Berit Bergström, Scandanavian Colour Institute Chair, AIC Education Committee Interactive bibliographical database on color Jose Caivano, Buenos Aires University, Argentina Distance Learning: A Discussion of the Implementation of a Graduate Course of Study Using Various On-Line Technologies *Ethan Montag, Rochester Institute of Technology Colour Zones - Connecting Colour Order and Everyday Language Paul Green-Armytage, School of Design, Curtin University of Technology, Western Australia Color Education as an Interactive Experience *Margaret Miele, Fashion Institute of Technology |
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Color Order Systems |
Brill et al., Leonardo 2000: The Softcopy Screen Book Choi, A Verificational Study of NCS (Natural Colour System) Notation - Validity of Colour Notation by NCS Three Attribute Diagram Indow, Uniformities in OSA-UCS and in NCS tested by color difference prediction based on principal hue components Kobayasi & Yosiki, An Effective Conversion Algorithm from OSA-UCS to CIEXYZ Oleari, Color Opponency and scale uniformity in the OSA-UCS system: the geometrical structure |
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Symposium |
The Future Role of Color in the Three Dimensional World Moderator: Shashi Caan Design Director, Skidmore Owings & Merrill, Architects Introduction *Shashi Caan, Design Director, Skidmore Owings & Merrill, Architects Painting with Light: Enlightening Your Architecture with Color *Paul Gregory, Focus Lighting Inc From Dante’s Inferno to a Garden of Paradise: How color affects this global World *Chris Rainier |
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Color Imaging Applications 11:00 am - 12:00 noon |
Ingram, Printing Processes-Opportunities and Limitation MacDonald Morovic, Xiao, Evaluation of a Colour Gamut Mapping Algorithm Song, Luo, Colour Difference Thresholds for Cross-media Colour Image Reproductions Koenig, et al, A multiprimary Display: Discounting observer metamerism |
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Art & Design |
Sakamoto, Kato, How do we find and handle colors with the same undertone? – A proposal of method to manage colors according to their color undertones Martinson, Waldron, Color in Graphic Design: An Analysis of Meanings and Trends Cheng, Xin, Taylor, Colour Planner for Designers to Select Colours based on Colour Emotions |
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Image Analysis & Synthesis |
Bouzit, MacDonald, Does Sharpness Affect the Reproduction of Colour Images? Takemura et al., Developing a new psychophysical experimental method to assess image quality Wesolkowski, Fieguth, Color Image Segmentation Using a Region Growing Method Kobayasi & Suzuki, Mathematical Analysis of Color Combination and Color Composition of Images Tominaga, Ishida, Wandell, Illuminant Estimation of Natural Scene Using the Sensor Correlation Method Meyer, Westlund, Walker, A Computer Graphic System for Rendering Gonio-Apparent Colors Tanaka, Tominaga, Estimation of a 3D Spectral Reflection Model for Color Image Rendering |
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Color Preference |
Saito, Date, et al., A Comparative Study in Japan and China Concerning Aspiration of Asian Women Towards Quality of Skin Fairness Camgoz, Yenner, Effects of Hue, Saturation, and Brightness on Preference Lee, KJ, Cross-cultural Differences in Color Preferences: Implications for International Film distribution LeeTR, How Life Associated with Colors in Chinese Culture -- Utilizing Colors Based-on Chinese Five-Essence Theory Ohno, Koizumi, A Study on the Mood-Perception of Interior Colors Using Chromatic and Achromatic-Colors in an Exercise Room - A relationship between subjects aged in their twenties and forties to fifties Sato, Kajiwar, Xin, Numerical Expression of Colour Emotion and its Application |
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Symposium |
The Future of Color Coordinator and Moderator: Jack Ladson, ISCC President The Future of Color in Design *Melanie Wood, Design Consultant, Mannington Mills, Inc. Where have we come from, where were we all week, where do we go from here? *Paul Green-Armytage, School of Design, Curtin University of Technology, Western Australia *Robert Hunt, Consultant |
| Closing Session | |
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