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10:00 - 12:00 Interest Group III — Art, Design & Psychology
During the Renaissance scientific advancements contributed to a creative revolution in the world of art. Art and science were blended as the roles of artist and scientist became intertwined. Today’s advancements in color science have had a similar impact on the work of artists and designers. A panel discussion will be held following some presentations to explore how this renaissance is impacting design in the modern world. "How Technology is Altering Human Color Response" Prof. Margaret Miele, Fashion Institute of Technology/SUNY "The Relationship Between Technology and the Visual Arts" Dr. Eileen Korenic University of Wisconsin - River Falls Project Committee 51 – Material Standards and Their Use in Calibration and Verification 2:30 - 3:30 Project Committee 52 – Comparative List of Color Terms II 3:30 - 4:30 Project Committee 54 – Colors of Maximum Contrast Interest Group I — Fundamental and Applied Color Research Come and experience the presentations concerning what research approaches are being conducted by the outstanding list of speakers. What influences the perception of color, and what affected what add how we see will be discussed. Additionally, research concerning the use of photon migration in the determination of pigment concentrations will be presented. "Rod-Cone Interactions Studied with 4-Primary Colorimetry" Dr. Joel Pokorny "Determination of Particle Absorption Spectrum of Pigments using Frequency Domain Photon Migration" Yingqing Huang "Color Perception with Patterned Backgrounds" Dr. Steven Shevell "The Same Stimuli Lead to Different Results: A Comparison of Constant Stimuli and Gray Scale Methods of Color Difference Scaling" Dr. Ethan Montag Nickerson Service Award Godlove Award 1:30 - 5:00 This year, we have a wide variety of topics relating to color measurement and colored materials. We begin by examining the CMC color difference equation. Then how to model products in a real-time environment. Following an interesting discussion on special effects pigments, we conclude our sessions with three talks relating to the various aspects of color measurement. An in-depth discussion of the principal components of reflectances, followed by an investigation of a measuring system that corrects for lateral diffusion error. Last, but not least, we will learn how to choose the best aperture of illumination and view for characterizing the color of inks. "Dependence of CMC Color Differences on the Choice of the Standard" Richard Aspland and Pramod Shanbag "3D Interactive Modeling of Products in a Real Time Environment,with True Color Appearance on Screen" Jack A. Ladson "Special Effects Pigments by Thin Film and Diffractive Interference" Alberto Argoitia "The Principle Components of Reflectances" Hugh Fairman and Michael H. Brill "Exploring the Applicability of a Measuring System that Corrects for Lateral Diffusion Error" David L. Spooner "Choosing the Best Aperture of Illumination and View for Characterizing the Color of Inks and Print" Dr. Danny C. Rich | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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